文 / 孙晓岚
我，从小爱做梦，特别喜欢涂涂画画。小时候对家里挂的一些山水画，总是会盯着看很久，甚至想象着自己置身在里面。初中开始自己尝试拿国画颜料临摹了好些古代经典的山水画和花鸟画。把自己临摹的一张张画往墙上贴起来，得到了家人和邻里的夸奖，也由此跟画画结下了不解之缘。
可能是因为特别喜欢阳光，喜欢阳光带给世界的温暖和生生不息，所以后来在学习油画的时候尤其对印象派的风格感兴趣。一开始青睐于印象派里的雷诺阿、莫奈、包括后期的索罗拉等人的风格，明亮的色彩，跳跃的阳光，都属于外光派绘画大师。学习了大师的风格后，我自己也开始尝试着画身边熟悉又美丽的风景，像《南山路的秋天》，这幅画主要就是想表现秋日的阳光穿过梧桐树丛，特别明亮闪耀的美丽景致；像《杭州临安青山湖》，这副画也是想表现温暖的阳光洒在湖面上远近呈现出不同的色彩，远处的红色的水杉因为阳光的照耀更加红的煜煜生辉，近处靠岸的船只由于阳光透过树荫形成了斑驳的光晕。一切因为阳光让世界富于生机，富于美丽的色彩。
我画了很多静物画和风景画，研究过好几位其他画家的风格，费欣的画，我特别喜欢他的肌理，梵高的画，我喜欢他绘画里运动性。但对于我来说不变的是喜欢描绘阳光，描绘不同的光线带来的不同色彩和不同氛围。2015年，在法国巴黎奥赛美术馆看了一圈古往今来的各种画派和风格的画，最后被博纳尔的画深深地打动。刚巧那次博纳尔的画在奥赛美术馆做了一个特展，一下子看到了很多他的原作。被他的魔法色彩吸引了。从他的画作中我领悟到了绘画色彩的主观表现的乐趣，和在绘画里色彩和点线面之间的搭配可以产生视觉的音乐性。
近期我创作了一批风景画，虽然用了不同的材质，有油画、丙烯、水墨、水彩等不同材质，但是主要表达的还是主观色彩带来的有趣画面。特别是茶山系列和印象西湖系列。茶山系列我尝试着用不同的色调去表现不同季节的氛围，还尝试着把茶园里的茶树画成一颗颗的或者一排排的，让他们排列有趣，似乎包含着音乐的节奏感在里面，甚至连茶园里的树也开始了舞动的节奏。印象西湖系列我通过粉色系列、蓝色系列、金色系列等，将不同时间段的西湖带给观者不同的感受用色彩更加强烈的表现出来。这个是我在绘画里的新的探索，如何让绘画带有更多的主观情感和韵律。
无论一幅作品中的颜色是千变万化，还是只有单纯的一种颜色，都代表着一幅作品最直接的绘画语言，代表着内心的情感世界，是自身审美和精神情感的集中体现，正是因为有了主观色彩的应用，油画和相机有了本质的区别，不再是单纯的色彩抄袭模仿。带有个人情感的主观色彩应用，可以让情感得到了最大程度的释放与表达，也使得绘画语言变得更加自由。
虽然色彩的形成和搭配是科学的，但是在运用中是主观性的。我希望可以依靠色彩的主观表现来建构画面的空间，创造情感的氛围，以色彩来表现精神。这个是我目前很喜欢探索的艺术方向。
我热爱光明的世界，所以希望我的画作里的也是光明的、美丽的世界，有光的世界。我也很喜欢音乐，每次画画一定会一边放着音乐，我觉得音乐和绘画确实有很多相通的地方。我希望我的艺术是传播美好的，是抚慰人心的，是积极的，是向善的。
当科技越来越发展，生活节奏越来越快，什么事情都变得便捷迅速，你有没有停下脚步欣赏身边的风景的时光？有没有漫长而久远的等待的心情？当城市文明越来越高度发展，生活在里面的人享受着时尚、科技，有时候也会怀念着大自然的怀抱。
人是离不开自然的，不管科技再怎么进步，人类社会多么的发展，人作为地球万事万物的一份子还是和自然息息相关，喜欢融入真实的自然怀抱里，所以每次面对真实的自然景色，我总会感动，感动这个真实的美好的世界。我希望我能把对自然的感情通过画布画下来，我希望我的画可以把观者带入到最初的那个美好世界里。在追求经济、科技高速发展的同时，不忘人与自然要和谐相处、和谐发展。我爱绘画，它可以帮我留下我对这个世界的眷恋之情，所以我愿意这辈子都做一个画者，描绘我热爱的世界，在绘画的世界里继续做着纯真的梦，生命不息，画笔不停。
最后感恩在绘画道路上指引我、教导过我的各位恩师们、友人们，也感谢家人给予我极大的支持，谢谢你们！我会继续做好我的绘画梦。
Painting·My Dream
Sun Xiaolan
I has always been
fond of daydreaming since childhood, and I especially love painting. When I was
little, I always stared at the landscape paintings hanging at home for a long
time, and even imagined myself being in these paintings. In junior high school,
I tried to replicate some classical landscape paintings and flower-and-bird
paintings in ancient times with Chinese painting pigments. Then, I hung up my
paintings on the wall, which were often praised by my family and neighbors.
Therefore, an indissoluble bond was formed between me and the paintings.
Maybe because I
like sunshine very much, which brings warmth and endless vitality to the world,
I was particularly interested in paintings with impressionism style when I was
studying oil painting. At first, I liked the painting styles of Renoir and Monet;
and later, I admired the painting styles of Sonora and other painters. Both the
bright colors and the lively sunlight belong to the elements loved by
impressionism painting masters. After learning the styles of painting masters,
I began to draw the beautiful scenery around which is familiar to me. For
example, in the painting, Nanshan Road of Hangzhou in Autumn, I would like to
display the bright and beautiful scenery of the autumn sunlight shining through
the sycamore trees. In the painting, Lin 'an Qingshan Lake in Hangzhou, I also
would like to show the warm sunshine scattering on the surface of the lake,
then showing different colors; the red metasequoia trees in the distance start
to glow because of the sunshine, and the ships near the shore become mottled
halos as the sunshine passes through the trees. It’s sunshine that makes the
world full of life and rich in beautiful colors.
I've painted a lot
of still life paintings and landscape paintings, and I've studied the styles of
several other painters. I particularly appreciate the texture of Fechin’s
paintings, and I like the movement in Vincent van Gogh's paintings. For me,
what remains unchanged is that I like to paint the sunshine, different colors
and different atmospheres brought by different lights. In 2015, I saw many
paintings with various schools and styles from ancient to modern times in the
Musee d'Orsay in Paris, France, and in the end, I was deeply moved by Bonnard's
paintings. As it happens, Bonnard's paintings were shown in a special exhibition
at the Musee d'Orsay. I got to see a lot of his original artworks, and I was
attracted by his magical colors. From his paintings, I realized the pleasure of
subjective expression of colors in paintings, and the visual musicality
generated by the combination of colors with points, lines and planes.
Recently, I have
created numerous landscape paintings with different materials, including oil
paint, acrylic pigment, ink, watercolor and so on. However, what I mainly want
to express is the interesting scenes brought by subjective colors, especially
in the tea mountain series and impression of the West Lake series. In the tea
and mountain painting series, I tried to render the atmosphere of different
seasons with different colors, and I also tried to draw tea plants in the tea
garden as individual trees and rows of trees, so that they could be arranged in
an interesting way, which seemed to contain musical rhythm, even making trees
in the tea garden starting to dance with the rhythm. In the impression of the West
Lake painting series, I express viewers’ different feelings of the West Lake in
different periods of time with bold colors through the pink series, blue
series, golden series, etc. How to endow painting with more subjective emotions
and rhythms is my new exploration in painting.
Whether a painting
embodies diverse colors or just one simple color, these colors not only
represent the painter’s most direct painting language and the emotional world
inside, but also reflect the painter’s own aesthetics and spirits. Because of
the application of the subjective colors, oil paintings and photographs have
the essential distinction, which is no longer a mere color reproduction. The
application of subjective colors with personal emotions can unleash emotions to
the greatest extent and provide more freedom to the painting language.
Although the
formation and collocation of colors are scientific, it is subjective in use. I
hope to construct the space in the picture, create the emotional atmosphere
relying on the subjective expression of colors, as well as express the spirit
by colors. This is the artistic direction I would like to dig into at present.
I love the world
of light, so I hope all my paintings are the beautiful worlds with light. I
also like music very much, and I will always immerse myself with music when I’m
painting. I think music has a lot in common with painting, and I sincerely hope
that my artworks can spread the happiness, comfort, positivity and kindness.
With the rapid
development of technology and the accelerated pace of life, everything is
becoming convenient and fast. Have you ever stopped to enjoy the scenery around
you? Have you ever been waiting for a long time? When urban civilization
advances, citizens enjoy fashion and technology, but sometimes, they may miss
the feeling of embracing the nature.
Human beings are
inseparable from nature. No matter how much progress is made in science and
technology or how developed human society is, as a member of all things on
earth, human beings are closely related to nature and tend to embrace the
nature. Therefore, every time when I face the real natural scenery, I’m always
moved by this real and beautiful world. I hope I can express my feelings for
nature through paintings, and I also hope my painting can bring viewers into
the original beautiful world. In the pursuit of the rapid economic and
technological development, I really hope we could stick to the philosophy that
human and nature should live and develop in harmony.
I love painting,
for it can capture my affection to the world. For this reason, I would like to
be a painter for the rest of my life, to depict the world I love and to
continue the innocent dreams in the world of painting. As life goes on, my
passion for painting will never fade away.
Finally, I am
eternally grateful to my teachers and friends who have guided me and taught me
on the road of painting, and I also thank my family for their immense support.
Thank you very much! I will continue to pursue my dream of painting.